The lighting system for events

needs techniques and materials much similar to those of the lighting system for the show biz
There’s a scene, there’s a main character, persons and/or products, needing to influence and to communicate
It is not necessary to have a curtain to set up a theatre stage
There are also particular places, like large convention halls, in which the spectacular aspect is interlaced with the functional one, and must be managed with extreme flexibility
Great spaces collecting a wide audience and much heterogeneous ones, with multiple requirements The equipments and the lighting techniques will have to guarantee the best results in every context, with the minimum set up time

In the exhibition spaces

the light must help the correct interpretation, the semantic reading of the exposed works
Beyond their historical age, good lighting can help the tuning of the exposed works with our inner world
Beyond the technical and scientific aspects of protection and conservation of the exposed works, the light becomes a factor of interaction and communication and it’s involved with the place, the space and the time, the perceptive experience, the world of imagination and emotions, to offer an aesthetic and vital enjoyment of the artworks
Reflections and dazzling lights must be carefully managed In this case, the lighting fixtures will have to be chosen or custom-made to minimize their visibility, keeping in mind that the lighting system should always be a tactful support of the artworks
The protagonists are exposed; the light must then be essential but humble as a discreet background figure